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	<title>samuelrosenzweig</title>
	<link>https://samuelrosenzweig.studio</link>
	<description>samuelrosenzweig</description>
	<pubDate>Sat, 26 Oct 2019 15:18:12 +0000</pubDate>
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		<title>Other Work</title>
				
		<link>http://samuelrosenzweig.studio/Other-Work</link>

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		<pubDate>Sat, 26 Oct 2019 15:18:12 +0000</pubDate>

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		<description>samuel rosenzweig: student of architecturehome
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Other Work
3D Printing + Conceptual Modeling: Kanmantoo MemorialDesign Studio IX + X Models

	
	Designer:
Samuel Rosenzweig
Client:
Samuel Rosenzweig
Scale:
VariousTechnologies:
Rhinocerous
AutoCAD
Illustrator
Pango
CNC

Lazer Cutter
Kodama Trinus 3D Printer
Materials:
Meranti Gerutu Timber
1.75mm PLA Transparent
1.75mm PLA Black
1.75mm PLA Mint Green
3mm Matt Black Acrylic

Year: 
2019

	
3D Printing Service: INCEL HOUSE
Mold Plugs + Mass Forms
	Insert Image
	Designer:
Conor Mannering
Client:
Conor Mannering

Printer:
Kodama Trinus
Year:
2019
Scale: 
1:500


	


Graphic Design: BigBuoysColaborative Logo Design.


	&#60;img width="750" height="750" width_o="750" height_o="750" src_o="https://cortex.persona.co/t/original/i/52501b52561fcb0de9f4f0c06c71fb41a6b9881ba2b412e5235a121ac0a87885/BigBuoy.png" data-mid="803100" border="0" /&#62;
	Designers:Samuel Rosenzweig

Conor Mannering
Client: 
BigBuoys.Studio
Use:Patch
Year:2018
	



Conceptual Modeling: Adelaide Pub RedevelopmentDesign Studio Wax Model

	
	Designer:Samuel Rosenzweig
Client:Samuel Rosenzweig
Scale:1:200Technologies:RhinocerousAutoCADLazer CutterKodama Trinus 3D Printer
Materials:3mm MDF
Parifin Wax
Balsa
Box Board

Year: 2017

	




Conceptual Modeling: Design Construction PrinciplesWax Model

	
	Designer:Samuel Rosenzweig
Client:Samuel Rosenzweig
Scale:1:50Technologies:Hand Crafted
Materials:Parifin Wax
White Box Board
Box Board

Year: 2015

	

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		<title>connect</title>
				
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		<pubDate>Tue, 24 Sep 2019 08:52:02 +0000</pubDate>

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		<description>samuel rosenzweig: connect

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		<title>Current Research</title>
				
		<link>http://samuelrosenzweig.studio/Current-Research</link>

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		<pubDate>Fri, 13 Sep 2019 11:32:34 +0000</pubDate>

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Current Research
Implications of population and density increases on cemeteries.
Supervisor: Dr Damian Madigan&#38;nbsp;








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		<title>Student Design Project</title>
				
		<link>http://samuelrosenzweig.studio/Student-Design-Project</link>

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		<pubDate>Fri, 13 Sep 2019 11:30:40 +0000</pubDate>

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Student Design ProjectSONA Architecture Awards Photo Booth

	

Every year
the South Australia Chapter of the RAIA reach out to SONA members to be
involved in the design and construction of an installation at the annual awards
night. This year’s brief was to design a photo booth which looked at the theme home. Involved in this was the requirement to showcase PolyPIU’s latest product
the polycarbonate right angle connector. As part of the core design team, I was
involved in project’s conception and documentation, we were able to explore the
idea that warm nook within the home. A place one may have a special draw to.

Project Members:Andrew Lymn-PenningJames GuyKaden LangeMegan Ashmore-McInteeSamuel RosenzweigPhotography: 
Kaden Lange
Project Sponsors:
Revolution Roofing
RAIA S.A. Chapter
	&#60;img width="607" height="910" width_o="607" height_o="910" src_o="https://cortex.persona.co/t/original/i/9eedd662a66852f87fc0efa55cead3c16747a5969431fb93a6d85ff3e23ff4f4/DSCF9808.jpg" data-mid="783807" border="0" data-scale="100"/&#62;&#60;img width="607" height="910" width_o="607" height_o="910" src_o="https://cortex.persona.co/t/original/i/8b4280421d336c8ded6799d7440ca9500c9b7ee9e6b7c5f5aaffb5013b4d3a3d/DSCF9802.jpg" data-mid="783803" border="0" data-scale="100"/&#62;

	
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		<title>Design Research Studio: Context &#38; Intergration</title>
				
		<link>http://samuelrosenzweig.studio/Design-Research-Studio-Context-Intergration</link>

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		<pubDate>Fri, 13 Sep 2019 11:29:40 +0000</pubDate>

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Design Research Studio: Context + IntegrationMemorialising Death and Industry

&#60;img width="2067" height="880" width_o="2067" height_o="880" src_o="https://cortex.persona.co/t/original/i/3c76cc95bedf7ee63f0091a5710593e773145eea195f15fc601fdb5f64c23955/249_SAM.jpg" data-mid="800651" border="0" /&#62;

	Currently, I
am undertaking a design research studio. My greater project looks at the
combination of historic industries of South Australia and memorialisation of
death in the form of a cemetery cross crematorium. The site which I am focusing
on is the Kanmantoo Copper mine on the eastern fringe of the greater metropolitan
region of Adelaide. Along with the use of the mine site, I am investigating the
possibility of using the existing train infrastructure that passes the site
creating the link back to Adelaide, a city with the need for housing both the
alive and the dead. This design studio proposal bridging what it means to memorialize
those that have passed and the industries that South Australia was built upon.

. . .&#38;nbsp;


	&#60;img width="1162" height="1162" width_o="1162" height_o="1162" src_o="https://cortex.persona.co/t/original/i/7b16b00f3fefbea62b73b17f621b5eabc2b3040736eb7a3cbf66332a6f25120c/Section.gif" data-mid="783703" border="0" /&#62;

	&#60;img width="1667" height="1667" width_o="1667" height_o="1667" src_o="https://cortex.persona.co/t/original/i/0a7c1fa9b435f3a283688d517e9ad579de70eeaa9ea156142d93ecfc38fe7afd/04_-overcrowdingcemetery.jpg" data-mid="783684" border="0" /&#62;&#60;img width="1667" height="1667" width_o="1667" height_o="1667" src_o="https://cortex.persona.co/t/original/i/1adff5def8db3849b42af42ac8a92ee4d54d807d8bc1efb30b664e84b7ac21e7/05_useamine.jpg" data-mid="783679" border="0" /&#62;
The proposal
looks at the cemeteries around Adelaide and speculates what happens when these
cemeteries are full. Could we use the dramatic landscape of an open-cut mine as
the place of memorialisation? Could we complete the same rituals in a different
space?
&#60;img width="3544" height="3544" width_o="3544" height_o="3544" src_o="https://cortex.persona.co/t/original/i/5e558796c8d618220b11ed7249dbaf16332030f32eddd12a9f2bb1abc2ce0e84/Slope.jpg" data-mid="783906" border="0" /&#62;
Within the
design, sloped walkways are a key design decision. Lifts require groups to be
split and stairs require concentration. Both of these issues split attention
away from why someone is actually there, it also inhibits a group to be able to
mourn together.



	


Yes, the
open-cut mine will be a scar on the landscape for a long time to come but this
gives the opportunity to integrate the history of the industry with the idea of
memorialisation. This does not mean we should just leave the surrounding barren
but over time revegetate. A method used across many mine sites and heavy industry
sites in South Australia is an Ecological Succession method, where first ground
cover is direct-seeded to start anew a cycle of life with dead matter, breaking
down, leaving nutrients for large foliage to grow over time.






















&#60;img width="1667" height="1667" width_o="1667" height_o="1667" src_o="https://cortex.persona.co/t/original/i/180bd23563ef787bf09955ffaa7383f300ea5b5bc535a52b246ab12ef9f0a09b/06_earlydays.jpg" data-mid="783677" border="0" /&#62;&#60;img width="1667" height="1667" width_o="1667" height_o="1667" src_o="https://cortex.persona.co/t/original/i/94a24c435915760c0e6b038192526739f270af0985121f1ec0faea1e817093bf/07_lateron.jpg" data-mid="783681" border="0" /&#62;
Areas in the
building allow spaces for remembrance. These rooms allow for people to return
to the Kanmantoo Memorial to remember those that have been interred there.







&#60;img width="3545" height="3540" width_o="3545" height_o="3540" src_o="https://cortex.persona.co/t/original/i/7328a951dd2117600e744f51e951c64b4abb22d9de85ed04e5555578171c4d71/Visiting.jpg" data-mid="784179" border="0" /&#62;








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		<title>Design Studio: Construction</title>
				
		<link>http://samuelrosenzweig.studio/Design-Studio-Construction</link>

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		<pubDate>Fri, 13 Sep 2019 11:29:10 +0000</pubDate>

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Design Studio: Construction

Row-tel Halifax Street Adelaide

Team Documentation Project
&#60;img width="2459" height="3499" width_o="2459" height_o="3499" src_o="https://cortex.persona.co/t/original/i/ee8f7117e4321a333157120f30255021cfd1dca873e5745810860c9d23121f36/Render---Copy.jpg" data-mid="784206" border="0" /&#62;
The goal of
this studio was to produce a set of documentation drawings. In a group with three of my peers, we formed a project team for the 12 week design and documentation period. The success of the team relied on how efficient and cohesive
the team could work together. The brief was to design and document a high-rise
commercial building with spaces for; retail tenancies, car-parking, hotel, and
student accommodation.



Explored in this studio was the design
of compact student accommodation with operable joinery within rooms allowing
for more adaptive spaces for the students residing there, to minimalist hotel
suites for the business traveler. Ideas from the row-house typology were
brought into the planning of all rooms to create row-houses in the sky.


	&#60;img width="4725" height="4725" width_o="4725" height_o="4725" src_o="https://cortex.persona.co/t/original/i/15fd8077efd56acaea947c5fda5449bfbec0fe9b5881df331bb898305209a647/01_ROW.png" data-mid="784195" border="0" /&#62;&#60;img width="4725" height="4725" width_o="4725" height_o="4725" src_o="https://cortex.persona.co/t/original/i/4920a78aa02afb531df2ff1ec0d440bf8b4fc000688a9c25b7334a180c3c1548/02_ROW.png" data-mid="784198" border="0" /&#62;&#60;img width="4725" height="4725" width_o="4725" height_o="4725" src_o="https://cortex.persona.co/t/original/i/16e86eb74dfcbb6b523f3ff5fbd0d53e882455615ad76a2b5ee5727747e9b425/03_ROW.png" data-mid="784197" border="0" /&#62;&#60;img width="4725" height="4725" width_o="4725" height_o="4725" src_o="https://cortex.persona.co/t/original/i/b9ac11d6cb77fd00d0a38a2c76c237e17f85c8eb736e301894e7730e39ba18ca/04_ROW.png" data-mid="784199" border="0" /&#62;&#60;img width="4725" height="4725" width_o="4725" height_o="4725" src_o="https://cortex.persona.co/t/original/i/bb0ebba80fc6e042a829f01e5c8ca8106d1ab9d1d6b9e6dc7a5f01e08635ff07/05_ROW.png" data-mid="784196" border="0" /&#62;&#60;img width="4725" height="4725" width_o="4725" height_o="4725" src_o="https://cortex.persona.co/t/original/i/f28aeede92caba4a4bd2bfe735cdb65b4f4ba8e59c4732ee0a1bc8e8e96affa7/06_ROW.png" data-mid="784201" border="0" /&#62;&#60;img width="4725" height="4725" width_o="4725" height_o="4725" src_o="https://cortex.persona.co/t/original/i/0fa0f10712d7002b894227bc5bc724d03eb00149e92182adb1a42d1521e15835/07_ROW.png" data-mid="784200" border="0" /&#62;&#60;img width="4725" height="4725" width_o="4725" height_o="4725" src_o="https://cortex.persona.co/t/original/i/584bc036131511918b8f762838d3df8dab3e7093e39b1c83a06ba39e61f59188/08_Row.png" data-mid="784202" border="0" /&#62;
	&#60;img width="4843" height="4843" width_o="4843" height_o="4843" src_o="https://cortex.persona.co/t/original/i/c291c5b3468b3d6db3c255a06734451266f05a36821c230e22449ed18dc6bc25/ROW_02.png" data-mid="784209" border="0" /&#62;&#60;img width="4843" height="4843" width_o="4843" height_o="4843" src_o="https://cortex.persona.co/t/original/i/274bc0666e963fa2700e5c93b1a4585866b99c1e69e2d75ecc79ba17cb9d065e/ROW_01.png" data-mid="784208" border="0" /&#62;

Project Team:
	Samuel Rosenzweig
	Laszlo Bilki
	Andrew Lymn-Penning
	Kaden Lange

&#60;img width="4975" height="3522" width_o="4975" height_o="3522" src_o="https://cortex.persona.co/t/original/i/ff635150223b1b35e725a9ef997d8fa419cbb7d7db6cfccfe054519e6342034c/03_Plan.png" data-mid="784330" border="0" /&#62;&#60;img width="4975" height="3522" width_o="4975" height_o="3522" src_o="https://cortex.persona.co/t/original/i/9f77d5b44c056e9a32ccad545b35f1cd4977c9dbe81d0144b29cf1a4d9079435/Section-Cons.png" data-mid="784329" border="0" /&#62;&#60;img width="4975" height="3522" width_o="4975" height_o="3522" src_o="https://cortex.persona.co/t/original/i/829246d4f9df0a4f9a43881b0729799db7a8acf042e610fe7a3f755a68926f50/HT-PLans.png" data-mid="784311" border="0" /&#62;&#60;img width="4975" height="3522" width_o="4975" height_o="3522" src_o="https://cortex.persona.co/t/original/i/228807ae8a1b6f5a0b3cb56bceb4dc05d8b2e5592777cd5ea1116ab44efce594/Bench.png" data-mid="784333" border="0" /&#62;&#60;img width="4975" height="3522" width_o="4975" height_o="3522" src_o="https://cortex.persona.co/t/original/i/244a37528da60fba4bd2a3a7e9f8ab61ba17cf7d05e47dd2524cd4e75e1a0985/West-Facade-Detailing.png" data-mid="784331" border="0" /&#62;


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		<title>Design Construct: Fish River</title>
				
		<link>http://samuelrosenzweig.studio/Design-Construct-Fish-River</link>

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		<pubDate>Fri, 13 Sep 2019 11:27:40 +0000</pubDate>

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Design Construct: Fish RiverBala Bala Retrofit


	



















In 2018, I had the opportunity to partake
in a Design + Construct elective. This elective saw a group of twenty-four
students travel to remote Northern Territory to retrofit two existing
structures known as Bala Balas for the traditional owners who are the rangers
of what is known as Fish River Station. Before the retrofit, the Bala Bala’s consisted of a steel structure with a raised
floor and a canvas tensioned canvas roof. Rangers would set up tents on raised
floor to sleep in to minimise the risk of contracting
Ross River virus. 














	&#60;img width="6000" height="4000" width_o="6000" height_o="4000" src_o="https://cortex.persona.co/t/original/i/0f9fe3ad76bc368d31ba13b4d7ebb1fbe2d56c66d91bf75e080f711d797ae205/Fish_River-4448.jpg" data-mid="783781" border="0" data-scale="100"/&#62;

	&#60;img width="4000" height="6000" width_o="4000" height_o="6000" src_o="https://cortex.persona.co/t/original/i/5936e6bb9e544161d2e0c60bafe663fbcbcf5a917af3a40cc97120ccc56ceaf8/Fish_River-4391.jpg" data-mid="783769" border="0" /&#62;
	


















Over the 12
days the group retrofitted; rafter
extensions, an insulated roof/ceiling, newly sealed floor, Crimsafe walls, and joinery were added. The resulting design /structure affords
the rangers a more comfortable dwelling. 
I, along with a small team installed the new, sealed flooring and
ceiling overcoming differences in the prefabricated materials and the existing structure.
I also had the opportunity to detail the way in which the crim-safe and door
flashing were to come to a junction.















	&#60;img width="4000" height="6000" width_o="4000" height_o="6000" src_o="https://cortex.persona.co/t/original/i/606c4b0773c9176122e355fcf3e66b911645135d5f7e44e4407bb369fdf6080d/Fish_River-5128.jpg" data-mid="783770" border="0" /&#62;
&#60;img width="3637" height="2433" width_o="3637" height_o="2433" src_o="https://cortex.persona.co/t/original/i/475a5a90031c7481b5cc88b1d2af2082f71a27fb7afc2025fb3ade11295d5bdd/A067912-R5-17-7A.jpg" data-mid="783768" border="0" /&#62;&#60;img width="4000" height="6000" width_o="4000" height_o="6000" src_o="https://cortex.persona.co/t/original/i/a2f2ba0aec3ec48014ef65f09bbafd3436a6a241d0dd9937e1216243f9035f8d/Fish_River-5622.jpg" data-mid="783773" border="0" /&#62;&#60;img width="2356" height="3637" width_o="2356" height_o="3637" src_o="https://cortex.persona.co/t/original/i/65e4ff8712a19484b5a98a1733a024b9b6eb1823eb5d6b6f9cb0bf57828c76c4/A067912-R5-21-3A.jpg" data-mid="783774" border="0" /&#62;
Images one, two, three and five photographed by Nick Frayne

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		<title>Design Studio: Worli-Koliwada</title>
				
		<link>http://samuelrosenzweig.studio/Design-Studio-Worli-Koliwada</link>

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		<pubDate>Fri, 13 Sep 2019 11:27:17 +0000</pubDate>

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Design Studio: Worli KoliwadaEducation / Workshop Precinct




	


















The project
covered in design studio seven was my first look at an international brief. The
location of this site is on the Worli Peninsula in the city of Mumbai, India.
Firstly proposed is a 450m long monolith urban plan sprawling into the Mahim
Bay. It is a suggested solution to an increasing population density in a
low-socioeconomic area. 

The GROUNDSCRAPER would be set up as a
framework which the Koliwada people who would like to live in would construct
their own module along a certain set of parameters and guidelines. These
modules would slot and lock into place. This act of giving people the freedom
to design and construct their own dwelling and business give them a greater
sense of pride and ownership.







	&#60;img width="5986" height="9032" width_o="5986" height_o="9032" src_o="https://cortex.persona.co/t/original/i/555b005ce09452db27d1e6380830e509aba5338f2b960852dd4c45ba0156894e/Site-07.png" data-mid="784251" border="0" data-scale="55"/&#62;



The second
piece of the studio was to design a civic center for the Koliwada people. For
this center I&#38;nbsp; chose to go down the path
of proposing a place of education and construction. The idea behind the
proposal for the larger urban plan was the majority of it would be constructed
by the people wanting to live there would be carried through to this building.





	

The building acting similar to a conveyor belt in a factory, where the groups
that are wanting to reside would first learn construction methods, then design
and build their own custom module that would then fit into the framework of the
larger urban plan.


	&#60;img width="4322" height="1706" width_o="4322" height_o="1706" src_o="https://cortex.persona.co/t/original/i/1db2d35fbf858fda7d43508409362a23fc2cacee9109a8e029613aeda82774fa/Untitled-8-05.png" data-mid="784229" border="0" data-scale="100"/&#62;
The proposal here being 1800m2 has
similar proportional characteristics to the larger urban model which sits
perpendicular to it.









&#60;img width="10647" height="1261" width_o="10647" height_o="1261" src_o="https://cortex.persona.co/t/original/i/230d5d48a96c33a5adc0d4b37fb07a26079a8676edfe25c92c02fa9380ff7b31/Untitled-8-03.png" data-mid="784228" border="0" /&#62;&#60;img width="8334" height="8334" width_o="8334" height_o="8334" src_o="https://cortex.persona.co/t/original/i/9d9ab5e89b7d07f354c2b8310f4293b73300101bedffec31236e45e36a03cff9/Untitled-8-01.png" data-mid="784225" border="0" /&#62;
	&#60;img width="1197" height="804" width_o="1197" height_o="804" src_o="https://cortex.persona.co/t/original/i/865b6fe95e900cac388657cd96f2a946e6e98f8307342cc9ef38522374820117/Untitled-8-04.png" data-mid="784226" border="0" data-scale="52"/&#62;
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		<title>the island of kangaroos, dead or alive.</title>
				
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		<pubDate>Tue, 04 Dec 2018 10:36:45 +0000</pubDate>

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		<pubDate>Wed, 07 Feb 2018 01:32:47 +0000</pubDate>

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